Las óleos de todo Carlos de Haes
ID Image  Painting (From A to Z)       Details 
54423  
Carlos de Haes, A Stream at Pont-Aven
  		 A Stream at Pont-Aven   mk235 31x39cm Oil on canvas
86138  
Carlos de Haes, Bajamar
  		 Bajamar   Date between 1860(1860) and 1880(1880) Medium Oil on canvas Dimensions 38.9 x 59.6 cm (15.3 x 23.5 in) cjr
90175  
Carlos de Haes, Bajamar
  		 Bajamar   between 1860(1860) and 1880(1880) Medium oil on canvas Dimensions 38.9 x 59.6 cm (15.3 x 23.5 in) cyf
90882  
Carlos de Haes, La torre de la iglesia
  		 La torre de la iglesia   1860 - 1880 Medium oil on canvas Dimensions 31.3 x 38.3 cm (12.3 x 15.1 in) cyf
89429  
Carlos de Haes, Praderas
  		 Praderas   1860 - 1880 Medium oil on canvas Dimensions 37 x 61.5 cm (14.6 x 24.2 in) cyf
97948  
Carlos de Haes, Retrato de Alfonso XII con diecisiete anos
  		 Retrato de Alfonso XII con diecisiete anos   1874.(1874.) Medium oil on canvas cyf
97729  
Carlos de Haes, The Battleship Barroso
  		 The Battleship Barroso   1916(1916) Medium oil on canvas Dimensions 30 x 70 cm cyf
1498  
Carlos de Haes, The Peaks of Europe, The Mancorbo Canal
  		 The Peaks of Europe, The Mancorbo Canal   1876 Museo del Prado, Madrid
1497  
Carlos de Haes, Tileworks in the Principe Pio Mountains
  		 Tileworks in the Principe Pio Mountains   Museo del Prado, Madrid
28776  
Carlos de Haes, Tileworks in the Principe Pio Mountains
  		 Tileworks in the Principe Pio Mountains   mk61 Oil on canvas 39x61cm
Carlos de Haes
Spanish 1826-1898 Carlos de Haes Galleries Spanish painter of Belgian birth. In 1835 he moved with his parents to M?laga, where he studied under the court portrait painter and miniature painter Luis de la Cruz y R?os (1776-1853). In 1850 he returned to Belgium and studied with the landscape painter Joseph Quineaux (1822-95). During his studies there and on his travels in France, Germany and Holland, he became acquainted with contemporary Realist trends. He returned to Spain in 1855, becoming a naturalized Spaniard, and the following year he exhibited numerous landscapes at the Exposici?n Nacional, Madrid, to much acclaim. In 1857 he won the competition for the fourth chair of landscape painting at the Escuela de Bellas Artes in Madrid with View of the Royal Palace from the Casa de Campo (1857; Madrid, Real Acad. S Fernando), a work showing characteristics of the Barbizon and Fontainebleau landscape schools. In 1860 he was elected Acad?mico de m?rito at the Real Academia de S Fernando in Madrid. By 1861 he was officiating and drawing up the regulations for the landscape competitions for aspiring pensionnaires. Consequently plein-air works came to be required in place of the previous tradition of submitting historical landscapes executed in the studio, a practice that discouraged the study of nature. De Haes suggested that only final corrections should be made in the studio, an attitude that indicates his timid initiation and acceptance of Realist trends.



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